Vicky Huang on the topographies of class, control and rage in Lino Brocka’s Manila in the Claws of Light (1975) and Insiang (1976).
Ultra Dogme
Ultra Dogme
Vicky Huang on the topographies of class, control and rage in Lino Brocka’s Manila in the Claws of Light (1975) and Insiang (1976).
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