Ruairí McCann on Larry Gottheim’s Machete Gilette…Mama, a travelogue marked by ghosts and perceptual vicissitudes.
Intervals of Light & Darkness: A Collection of New & Selected Texts on the Cinema of Larry Gottheim
Ultra Dogme presents a free digital collection of new and selected texts on the cinema of Larry Gottheim.
The Expanding Universe: On Standish Lawder’s ‘Raindance’ (1972)
Ruairí McCann on ‘Raindance’, Standish Lawder’s optically printed miracle, a vast universe of light and motion scrambled and remade anew.
An Interview with Lee Jangwook
To mark the occasion of a program focused on Lee’s work on October 26th, we are publishing Ruairí McCann’s Patreon-exclusive interview with the filmmaker.
Living/Drawing/Seeing/Reading Between The Lines: The Films of Lily Jue Sheng
Coinciding with this month’s Movie Club screening of Lily Jue Sheng’s films, we present a text on the excavations and invocations of urban space, language and cultural inheritance found in their work.
Spirits Rebel: On Julius-Amédée Laou’s Cinema of Revenants
Ruairí McCann on the films of Julius-Amédée Laou.
3 Songs That Got Us Through 2022
Submissions are presented in the order they were received. Click here to see last year’s songs. Yoana Pavlova Nakhane – “Do You Well” (feat. Perfume Genius) Panda Bear & […]
Ghost in the Machine: ‘Hole in the Head’ (2022)
Hole in the Head, the new feature from Dean Kavanagh, is a wonderfully labile rendition of cinematic obsession as a simultaneously profound, absurd, deracinating, and visceral experience.
Cinema is an Open String: Two Early Shorts by Isiah Medina
“Looking at Medina’s earliest work, specifically Semi-auto colours and Time is a sun (2012) reveals much of his ambitious form and preoccupations already set in motion.”
“What a Way to Run a Railroad”—Nothing is Real, not even Cinema, in Tulapop Saenjaroen’s ‘Squish!’
Over the last decade, filmmaker and video artist Tulapop Saenjaroen has been stretching cinema and the short form. Exploring some of the fundamental quandaries of experience: work, play and freedom with a sharp and puckish sense of their history within this long century of moving images.