by Florian Weigl One way to test the cinephile mettle of a country is to go to its most prominent festival of festivals. Canada and Toronto have TIFF, […]
“10 Years Down the Drain”—Glocca Morra’s ‘Just Married’ (2012)
An appreciation of Glocca Morra’s album ‘Just Married’, for its 10-year anniversary
3 Songs That Got Us Through 2022
Submissions are presented in the order they were received. Click here to see last year’s songs. Yoana Pavlova Nakhane – “Do You Well” (feat. Perfume Genius) Panda Bear & […]
Carolee Schneemann at Spectacle
Cinematic films and performance documentation have often been separated categorically. Yet, Carolee Schneemann’s films push against these distinctions, whether by painting with her camera or mirroring back moments in time.
Translation: ‘Moon, Sun, Water, Fire; Blood on the Field: A Collection of Materials’ by Manfred Blank
Translated by Florian Weigl Previously re-published as Un receuil de matériaux in a French translation by Danièle Huillet in Cahiers du cinéma Nr. 305 (11/1979) Moon, Sun, Water, […]
Contemporary Limbo: Albert Serra’s ‘Pacifiction’
“The thrill of seeing bastions of society crumble in real time, the pervading sense of quiet reluctance as the doomsday clock moves forward, the grimy and unkempt edges of a world whose hope of subsisting is quickly fading away…”
Nursery Rhymes: Three Films by Esther Shatavsky
A 10-day streaming program of three films by Esther Shatavsky, alongside the first major interview with the filmmaker.
Ghost in the Machine: ‘Hole in the Head’ (2022)
Hole in the Head, the new feature from Dean Kavanagh, is a wonderfully labile rendition of cinematic obsession as a simultaneously profound, absurd, deracinating, and visceral experience.
The Uses of Myth | Spectral Grounds: Black Experimental Film
“Not all featured works are formally experimental, but presented as experimental ontologically: the landing page of the website bears a curatorial statement that calls this practice “part of an endless repertoire and arsenal of Black survival.””
Neocolonial Grip: Ousmane Sembène’s ‘Tauw’ (1970) + Djibril Diop Mambéty’s ‘Le Franc’ (1994)
Currency takes even more of a centre stage in some of their lesser-known shorts steeped in acute political commentary: Le Franc (1994) and Tauw (1970) respectively, which delve deeper into many of the context-specific issues of cash—and lack thereof—in Francophone Africa, exposing the incomplete nature of the decolonial project.