Happy International Women’s Day!
A Tamil Trio: Views on the Cinema of Tamil Nadu in the 21st Century
Three new texts on Tamil cinema
Digging Shallow And Deep—Portrayals Of ‘The Farmer’ In New Tamil Cinema
“The customary hero-introduction shot in Tamil language drama Kadaikutti Singam (2018) happens during the scene of a rekla race, the traditional bullock cart sport held in Tamil Nadu villages. Before Karthi Shivakumar, the star actor who plays the lead character, makes an appearance, Soori, the comedian who plays the hero’s best friend, takes a look at the bustling arena where bulls are rubbing shoulders with men, and gushes, “How could you curtail this happiness!””
Squeal Like a Pig—Custodial Violence in Tamil Cinema
“The subject of this essay is custodial violence in Tamil cinema, films produced in the southern Indian state of Tamil Nadu, where over a hundred custodial deaths were recorded in the past two decades without a single conviction.”
A Sculpture of Ashes—Liner Notes On A Modern, Cinephilic Tragedy
” When I boarded the Nellai Express early in the morning of 16 June 2019 to journey from Neyveli to Chennai along the eastern stitch of the Indian peninsula, I was only marginally surprised to find a thick diary, of the corner-stationery variety, lying atop the brief table next to my berth. Someone had also left behind a half-eaten packet of salted almonds.”
‘Women in Revolt’
Women in Revolt is the kind of glorious filth they just don’t — or is it can’t? — make any more.
Red Sauce and Sugar Blues – ‘Andy Warhol Eats a Hamburger’
by Tobias Rosen In March, during the most stringent period of Germany’s lockdown, my partner decided to visit her parents for a week and leave me in our […]
‘Kiss’
by Ruairí McCann The kiss, that flashpoint of intimacy, communication, and the present tense, has been the subject of art since its prehistory. In Andy Warhol’s Kiss (1963-64), […]