Review: ‘My First Film’ (2018) by Zia Anger
(by Savina Petkova)
International Women’s Day
(by Staff)
Digital Notes on the Corporeal Manifesto
(by +MLP+)
7 Great Experimental Short Films on Vimeo
(by +MLP+)
A review of James Benning’s L. COHEN
(by Noah Rosenberg)
Karlovy Vary 2019:
On Jonás Trueba’s ‘The August Virgin’ (by Hugo Emmerzael)
Umbra Film Journal 2020:
“INTO:OUT1” (by +MLP+)
“Sound and Fury” (by Tijana Perovic)
BERLINALE 2019:
Interview with Ivan Marković
Interview with Frank Beauvais (by Tijana Perovic)
Why Film? for Photogénie
INTERNATIONAL FILM FESTIVAL ROTTERDAM 2019:
Interview with Mariano Llinás
TROUT FUN #4 (by Tijana Perovic)
Hi Mom!
Berlinale 2018:
Season of the Devil
Interview with James Benning
VILNIUS INTERNATIONAL FILM FESTIVAL 2017:
Interview with Sergei Loznitsa
Interview with Laura Schroeder
Festival Coverage
TROUT FUN #1-3 (by Tobias Burms):
Band of Angels
Daguerrotype
Home
Berlinale 2017:
Eight Hours Don’t Make a Day
Golden Exits
Interviews:
Julian Radlmaier
Mathieu Denis
Film Fest Gent 2016:
Locating Empathy – on the documentaries Austerlitz and In Jackson Heights
Notes from the Venice Film Festival 2016:
Voyage of Mine – on Terrence Malick’s epic new Koyaanisqatsi-meets-Planet Earth documentary, Voyage of Time
Aural Extremes: Sculpting Noise – on sounds in the 4K restoration of Zombi (the European Cut of Dawn of the Dead), Maudite Poutine (Shambles) and Spira Mirabilis
Film Fest Gent 2015 Reviews for the Young Critics Workshop via Photogenie:
Son of Saul
El Club
Madonna
And the final essay:
Dry Fires
as well as an Interview with director
Pablo Larraín about El Club
The Focus Pull:
Berlinale 2015 Coverage
Articles & general reviews
Harmony Korine retrospective
Hard to Be a God
Bay of Blood
