Forever the Geography: National Mutability in ‘Krabi, 2562’ (2019) + Nazar’s ‘Guerrilla’ (2020)

Looking over what I have seen and heard in this mess of a release year so far, I realized that two of my favourite works of art – one a movie, another an album – are tied together by their decision to depict a particular place, or identity, with an intentional formal wooliness. Continue reading Forever the Geography: National Mutability in ‘Krabi, 2562’ (2019) + Nazar’s ‘Guerrilla’ (2020)

Best of the Decade: Music

As with our Best of the Decade in Film list, these album lists should be taken less as definitive statements on what was objectively best, and instead be considered as their own entities, to enrich rather than compete with other lists on this page (or other sites) – each a meaningful observation with a strong personal bent. Be sure to also check out Felix Rodriguez’s … Continue reading Best of the Decade: Music

Album Review: ‘Phantom Rhythm 幽靈節奏 (幽霊リズム)’ by Gong Gong Gong

by Ruairí McCann There are numerous landmarks set to be struck here on the eve of the 2020s but a significant one is that it will be nearly 8 decades since rock first took shape. While not the only mainstay of popular music that is getting long in the tooth, it seems especially potent for a genre so associated with both the shock of the … Continue reading Album Review: ‘Phantom Rhythm 幽靈節奏 (幽霊リズム)’ by Gong Gong Gong

A Decade In Review: Music of the 2010s

All writing is autobiographical, writing about culture doubly so. There is no way to distill the past decade into 10 essential albums without egregious oversight and omission. There are some artist and albums that I am not equipped to write about, there are also artists that have had their critical moments in the sun. They will not be written about here. That is okay, beautiful even. Remember that the truth is in the telling. Continue reading A Decade In Review: Music of the 2010s