For this program, I wanted to consider the medium of transmission. For quite some time, many of us have been experiencing 16mm and 35mm films (as well as digital videos) as digital files, DVDs, or as bits of streaming information… Continue reading UDVFF: Program 3 – ‘The Death Channel’
by MLP As the festival came to a close, and my viewing-energy dwindled, my dear friend Anuj wrote me one evening to ask if I would be interested in watching an Indian film in the morning, and to interview the director afterwards. One month earlier, I had felt a similar call from the ether; after meeting a couple of guys from India in the lobby … Continue reading Berlinale 2020: “Maybe a singular mountain is a feeling,” an interview with Pushpendra Singh
In these strange, scary and all around unprecedented times, there’s a considerable fret to find the most “relevant” film to best encapsulate what feels like a consistently devolving, worldwide health crisis. Continue reading UDVFF: Program 2 – ‘Comparmentalized Collapse’
Welcome to the first Ultra Dogme Virtual Film Festival. We are excited to be trying something new. Continue reading The Ultra Dogme Virtual Film Festival: Program 1 – 'From a Distance'
We’re starting a virtual film festival this Saturday, March 21st. Continue reading Announcement: Ultra Dogme’s First Virtual Film Festival
Woche der Kritik 2020 endowed us with an opportunity to dive back into the summer of 2017, through the lens (both retinal and camera) of Ivana, the Terrible. Ivana, the Terrible, flavorful as it is, is only a snippet of the broad world of Ivana Mladenović. Continue reading Women’s Day: “Stuck on this bridge of friendship” – An Interview with Ivana Mladenović
Arta Barzanji selects a brief excerpt from ‘Introduction to Arnold Schoenberg’s Accompaniment to a Cinematic Scene’ as a tribute to Danièle Huillet. Continue reading Women’s Day: Danièle Huillet – A Moral Artist