“Context is still important.” An Interview with Bill Morrison

written by Maximilien Luc Proctor, edited by Martin Bremer Wilting, bending, fraying, the edges of the frame dance. Brimming with signs of decay and the promise of a new life, the films of Bill Morrison turn remnants into relics, cultivating fragments of forgotten material to assemble pieces which both resist and celebrate death. His are films all about that ever-elusive sense of purpose many of … Continue reading “Context is still important.” An Interview with Bill Morrison

A Music List for 2018

After the success of last year’s ‘5 Noteworthy Rock Albums of 2017,’ I’ve decided to stay the course by altering the format with a surprise ‘best of’ list which does not arrive until the beginning of January of the following year. It’s only fair. As an added bonus, that means I don’t have all the other stupid ‘best of’-‘year end’-’roundups’ to compete with. Reflection is … Continue reading A Music List for 2018

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Pop Kultur 2018: An Interview with Daníel Böðvarsson (of Pranke)

Like last year, I visited the 2018 edition of Berlin’s Pop-Kultur festival. My personal favorite discovery was far and away the Berlin-based prog-math-indie band Pranke (the German word for ‘paw’). Pranke bring repetitions in the style of Conveyor or Preoccupations together with the spastic rhythms of Hella, smooth grooves of White Denim, and explosive sax a la Tera Melos. The two-piece band crammed more sound … Continue reading Pop Kultur 2018: An Interview with Daníel Böðvarsson (of Pranke)

“I don’t know why.” An Interview with Jeff Rosenstock

Jeff Rosenstock has been making music since 1995. After years spent in a band called The Arrogant Sons of Bitches, 2004 saw the formation of another band, Bomb the Music Industry! In 2006 he founded the first donation-based record label, Quote Unquote Records. A full year before Radiohead’s famous pay-what-you-want release of In Rainbows, Rosenstock was giving away plenty of albums for free while trusting enough … Continue reading “I don’t know why.” An Interview with Jeff Rosenstock