Dan Deacon – in his lyrics, interviews and in the goofball soapbox aspect of his live performances – is loose-tongued and lucid about the headspace which produced his fifth and newest album, Mystic Familiar (2020) Continue reading Album Review: ‘Mystic Familiar’ by Dan Deacon
by Kaylee Lockett This the Dream In this poem,everything is a woman.And by that I meaneverything is water.Hard, clean, rushing. Everything is eatingflowers. Nasturtiums.Shawarma. We all havebellies, here, in this poem.In this poem we are all fed.Every other poem touchesthis one, which changes them.It has always been here, rightin front of your ears.When the knife is inside youthis poem. Whenyour child this poembreaks and melts andcleanses, … Continue reading Women’s Day: Two Poems ‘after Adrienne Rich’
Woche der Kritik 2020 endowed us with an opportunity to dive back into the summer of 2017, through the lens (both retinal and camera) of Ivana, the Terrible. Ivana, the Terrible, flavorful as it is, is only a snippet of the broad world of Ivana Mladenović. Continue reading Women’s Day: “Stuck on this bridge of friendship” – An Interview with Ivana Mladenović
Arta Barzanji selects a brief excerpt from ‘Introduction to Arnold Schoenberg’s Accompaniment to a Cinematic Scene’ as a tribute to Danièle Huillet. Continue reading Women’s Day: Danièle Huillet – A Moral Artist
At the recent French premiere of the documentary film The War is Never Over (2019, dir. Beth B), iconic No wave queen Lydia Lunch – whose tumultuous life and career are the subject of the film – described her constant struggle with childhood trauma as the creative force behind her long-lasting career as an artist, which now stretches over four decades. Continue reading Women’s Day: The War is Never Over – Transcendental Darklands of Lydia Lunch and Louise Bourque
Thoughts on this year’s César awards Continue reading Women’s Day: Adèle Haenel stands up and leaves
Poetry tribute to writer Clarice Lispector Continue reading Women’s Day: CLARICE, CLARICE
