Alex Fields on Ernie Gehr’s digital work and the insatiable, playful curiosity in the boundaries of perception, space and light which underpins all of his films.
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Letters as Letters, Letters as Numbers, Letters as Stories: On Audrey Lam’s ‘Us and the Night’ (2024)
Librarian-filmmakers James Devine & Blanca García on Audrey Lam’s ‘Us and the Night’ (2024) and its vision of the library as a small yet sweeping cosmology of facts, figments, connections and intimacy.
Apparitions Strange and Familiar: The Film and Video Works of Nour Ouayda
Coinciding with this month’s Movie Club screening of Nour Ouayda’s THE SECRET GARDEN (2023), we present a text on Ouayda’s oeuvre.
Five Films by Ellie Epp
A 2-week streaming program of five films by Ellie Epp, alongside an essay by Sophia Satchell-Baeza.
Movie Club + Patreon
MOVIE CLUB The Movie Club is a monthly streaming series via our Patreon, where we show an exclusively curated program of experimental films every single month. Scroll down […]
About Ultra Dogme
Ultra Dogme is a film journal + virtual cinematheque Established in 2019, ULTRA DOGME is a film journal and virtual cinematheque focused on bringing wider attention to under-seen […]
I Saw a Dry Leaf in a Field of Flowers: Locarno 78 and the Texture of Cinema
Arta Barzanji reports from this year’s Locarno Film Festival on the experimentation of Alexandre Koberidze’s Dry Leaf and Radu Jude’s Dracula.
